Crime
These are
the more mysterious and intriguing movies I saw, so not a lot of plot details,
more just me giving the premise and whether or not I liked it.
Side Effects, or "Jude Law doesn't get enough
work."
Overall: 6/10
These are the actors you will be watching. You may experience sleeplessness and diarrhea. |
You will
start off thinking this is a movie that is trying to decry the pharmaceutical
industry. And who wouldn't want to decry
those people? Slight incremental changes
to patents, lobbying doctors to keep patients on more expensive medicine,
lobbying the government on very murky topics.
They are not the bad guys, they are being exploited.
This is a
mystery film so I can't go into detail with it concerning the plot but all of
the actors turn in good performances, especially Jude Law as the one trying to
figure things out. He is put upon, and
scared, angry, and ultimately confident.
I wonder if any other actor would have been right for the role, but he
did well enough that I feel no need to mentally recast him.
It has its
slow bits, and is visually rather dull and dark, but that fits the mood, and
theme of being medicated into a haze.
Trance, or "Somebody watched 'Inception' and 'Girl with the Dragon Tattoo' back to back and then made a decision"
Overall: 6/10
MORE COLOR! I suppose you could add "Only God Forgives" to the mix of films this takes some influence from. |
This was
done by Danny Boyle, a director with a lot of clout in regards to making very
pretty movies, with a lot of flashbacks to explain intricate plot developments.
This is
also a mystery film involving the medical industry, ironically it has an
American woman Doctor treating an Englishman without pills in complete
juxtaposition of "Side Effects" setup. This movie is about hypnotherapy, art theft,
and trippy plot structure. It has a very
engaging premise, that a man double crosses his partners during an art heist
and sustains a head injury that keeps him from remembering what he did with the
painting they stole, or why he stole it from them, and they try to use
hypnotherapy to pull the memories out of his head.
Big memorable
thing about watching this movie, there is a lot of nearly-nude sequences for
many of the actors, a lot of James McAvoy's butt. I saw this with 4 other people and one of
them left the room to take a call, during his exit we got full frontal female nudity from Rosario Dawson, holy moly pretty.
This is when he came back from the call and asked, "did I just miss
a lot more near nudity?" And hardly
believing us when we told him full frontal.
The movie
is gorgeous to look at because of the lighting and color they use, very much
like you are in a dream. If I have one
issue that kind of killed it for me was the false ending that happened which
would have been a better ending for a lot of it, instead there is an attempt at
an "Inception" like ending that had the film going too long... it just
didn't work after a certain point.
Also, very
odd music choices, with a lot of very light pop music at very dark
moments. Very strange.
Welcome to the Punch, or "James McAvoy and Mark Strong
should be bigger stars."
Overall: 7/10
Conversely, this film is shot almost entirely in silver, blue, and a light aqua green. With the notable exception of one scene at the very end of the film. |
Unfortunately
I have not gotten to see, "Filth" which is also a James McAvoy film
that was well received by critics and look like something I would like to
watch. McAvoy is one of the best actors
doing stuff right now and has not gotten the level of success he deserves. Mark Strong serving as the criminal side of
this movie is another actor who does not get enough credit in spite of being an
excellent performer who has hit the mark on every bad guy I have seen him play.
This is yet
another mystery film set in England.
When a young police officer nearly catches the most notorious thief in
all of the UK and gets shot in the leg for his trouble the cop becomes an embittered
and hotheaded asshole, and the thief becomes a wealthy recluse. Then the massive spike in gun violence in
London kills the thief's son and draws him back to London, in turn causing the
cop to gear up and try to catch him.
This movie is very well paced with corruption, cat and mouse, detective
work, conspiracy, political intrigue.
And the violence in it is a lot more real than in most movies. People get shot and you say, "well,
they're dead as shit." Which is a
nice bit of realism.
I can't say
the movie touched me deep inside or was truly classic, but it was really good
and one of the easier to recommend films I saw last year.
Hah, I remember that moment during Trance...
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