I want to
give out some more awards before I count down my Top 5, so here are all the
non-animated "comedies" I saw this year and the numerous complaints I
have about them. I gave each a numerical
rating out of 10... but as time marches on those numbers will probably drop as
my tastes continue to change.
Possibly the only funny movie I saw this Year Award:
"21 Jump Street" (Trailer)
This was
not a good year for comedy. In my own
way I am to blame, I failed to catch "Ted", "The Dictator",
or "7 Psychopaths" each of which showed promise (especially
"Ted"), but I saw five comedies and none of them really worked for
me.
I have no
nostalgic connection to "21 jump Street" and my expectations were so
low that they communed with a lost city of Mole-people. I do feel that this movie had some good stuff,
but none of it seemed totally realized.
"21 jump Street" was just okay, there were parts that made me
laugh loud and hard, but mostly it was really stupid. I don't hate it, so I will damn it with this
faint praise, "It is better than watching nothing."
6/10
Who wanted this? I guess there is a stupid appeal to it, and the idea that the idiots of yesteryear beating the crap out of moronic reality stars of today highlighting how the Stooges existed to be laughed at and not imitated, unlike today's moron freak show which seem to exist in a limbo of being vilified by some and imitated unironically by others. But the movie isn't smart like that, its just the Stooges doing there thing in the modern day without irony. That doesn't work anymore.
So, it can't be poignant because it commits too much to the source material, and it can't be timeless slapstick because of all the instantly dating pop culture references. It is just pointless.
5/10
The Who Needs Subtlety Anyway Award: "The Campaign" (Trailer)
When
watching this movie I thought back to a better movie called, "The Other
Guys". During the credit sequence
of, "The Other Guys" (Trailer) a presentation on white collar crime and
corruption is displayed, explaining colorfully and intelligently the current
financial plight of the Western World.
"The Campaign" is the disgusting pile of after birth that
followed that credit sequence.
It has its
moments, but almost nothing in it has any grace in delivery, they throw jokes
like knuckle balls, sometimes they are right down the pipe. Mostly though it is just blunt and un-clever
bullshit that fails to connect over and over.
It doesn't even piss me off, it is just wasted time. You would be better off watching nothing.
5/10
The Award for trying to be Edgar Wright and Failing:
"Detention" (Trailer)
"Detention"
is an obscure bit of junk with a cluttered narrative trying to spoof every
Teen-(Genre) movie in existence and ending up with a cluster fuck. It does have one really strong quality: it
shows that one of my favorite directors, Edgar Wright, is having an effect on
up and coming directors. The pacing,
camera work, and dialogue all try to have the same snap as "Scott Pilgrim versus the World" and each fails in turn.
There are funny parts, but as I look back on this movie it slowly moves
away from mediocrity toward shitty.
Don't bother watching this.
4/10
The Worst Movie I saw all Year: "Madea Witness Protection" (Trailer)
Before I
start, I will say, "I am open to things, and want to be surprised and
delighted by everything in life, I watched this hoping that it might serve to
introduce me to a humorous character that had previously evaded my
interest. I will continue to give movies
chances in hopes of finding diamonds in the cast off. This movie is no diamond."
I have no
idea how Tyler Perry keeps getting money to make his terrible fucking
movies. This is the first Madea movie I
have seen. This will be the last Madea
movie I will ever see. Where to begin?
Plot points
are brought up and dropped without follow up, chief among them the mob death
threats, which happen at the beginning of the movie and never reappear in the
movie. Scenes are poorly edited, going
on for several seconds too long like an awkward silence in the middle of a
boring conversation. The culture clash
that the movie seems to be built around (a white family forced to live with
Madea, oh wacky high-jinks will ensue) is flaccid, slow, and ultimately resolved
in a harsh and clunky fashion. The third
act has no conflict at all, they decide they are going to steal mob money from
secret accounts, and they do... that is it, where is the conflict?
In a normal
film the third act would have a couple different antagonists closing in on the
hero; take for instance, "No Country for Old Men" (Trailer). In "Country" the hero, Josh Brolin
has millions in stolen drug money; cops, drug cartels, and a psychopathic
hitman are closing in. Brolin has to
figure out a plan, and after dodging through Mexico, getting suited up, and his
wife having told the sheriff where to find Brolin, he is killed by the drug
cartels.
In Madea the FBI should be after Madea and crew to arrest them for fleeing protective custody, the Mob should be after them to take back the money, the original lenders should be trying to move the money before the heroes can secure it, and there should be some kind of ticking clock! But instead there is nothing, they just move the money and the movie is over.
In Madea the FBI should be after Madea and crew to arrest them for fleeing protective custody, the Mob should be after them to take back the money, the original lenders should be trying to move the money before the heroes can secure it, and there should be some kind of ticking clock! But instead there is nothing, they just move the money and the movie is over.
This
"movie" is just bad. I will
concede only to the fact that it is a movie (images and sounds forming a
narrative), but should not be watched, and Tyler Perry should not be given any
more money for these projects.
1/10 (WORST MOVIE OF THE YEAR)
Not even exaggerating, "No Country for Old Men" has more comedic scenes in it than "Madea". |
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