History
serves as a good source of story ideas, some of which live on as such important
and impactful events that they are burned into the cultural zeitgeist
("Titanic") (Trailer), others are so insane that they just sound like movie
ideas ("Charlie Wilson's War") (Trailer), and then there is the third category
of events that are mostly forgotten because they just don't stand out in spite
of the drama in them ("Thin Red Line") (Trailer), so you spice those up with a
lot of musical numbers.
The History is Complex Award: "Lincoln" (Trailer)
"Lincoln" is basically like an episode of "The West Wing" circa 1864. It has a lot of really good work by a lot of
really strong actors, including the greatest of living actors Daniel Day Lewis,
who I think was possessed by Lincoln's ghost through most of this movie. Everybody is on their A game and while I
found myself caring about the strength of the narrative and the portrayals I
can't say it was my favorite movie of the year.
It in many ways shows the inner workings of politics, a struggle between
the deep held beliefs of those who know what is right, those who are in it for
the work and prestige, and those who are on the wrong side of history. "Lincoln" shows how dishonesty and
compromising values can sometimes be necessary in order for a much more substantive
long term game plan of greater liberty to foster even when beset by the small
minds of a very evil time in history. It
is a really good movie.
There are
some instances I found odd, like the ending, anyone who saw the movie will
agree it should have ended with Lincoln walking out the front door as his
assistant and friend watches him go, quietly admonishing him for leaving his
gloves behind. That image had a lot of
sad but at the same time hopeful meaning in it, that Abe did leave the world
with his work not yet completed, that more can be done and it is left to
us. Then the movie keeps going. Little odd.
Overall it
is my pick for what will win Best Picture, even if I think "Django Unchained" (Trailer) is an overall better movie and should get the award. I should also say, this is not a movie I feel
a need to ever watch again, I would like to see a making of, and I will
probably read "Team of Rivals", but this is a story that is rather
too heavy to pop in on a sleepy Saturday for fun. Probably could watch it on President's Day
though.
8/10
I actually sort of hated this scene. The Gettysburg Address was not a well received speech in its time and it serves only to wank the one thing people know about Lincoln before the rest of the movie totally subverts the popular myth. |
The History is Weird Award: "Argo" (Trailer)
This movie
is genetically engineered to appeal to me.
It has one of my favorite Writer/Director/Actor, Ben Affleck at the
helm, banks a lot on the complex and stressful aspects of political intrigue
and espionage, it shows the ins and outs of a convoluted scheme so awesome it
has to be real, and it is frequently funny as hell.
And when I
watch it I can't really point to anything wrong with it. I know they take some liberties with things
and make the threat of discovery far more Sword of Damocles-ish for the sake of
Hollywood, but I don't care. There is
even a really good juxtaposition at one point, pairing a script reading of the
fake movie, with the Iranian press conference talking about the hostages, it
shows the importance of theatrics and gaudy images to push a frequently
disingenuous message. But much like
"Lincoln" I don't feel a need to watch it again, I feel that I got
all I needed out of it and that is all I want.
It is clever
and smart on a lot of levels and it is highly recommended, and I don't know why
I don't think even more of it.
8/10
The History is a DRAMA QUEEN Award: "Les Misérables" (Trailer)
Not History
per-se but certainly based around a historical era, I choose to lump it in here
with the rest of the Historical movies because I can.
This thing
has structure problems out the melancholy kazoo. It seems almost like three movies (as they
enter the Belly of the Whale 3 distinct times) with linking characters and
themes... And it should have been multiple movies, with scenes of spoken
dialogue to allow the actors room to act instead of just singing.
I also take
umbrage with the amount of cliché's in it (and it is unfair to call them cliché
because this story probably helped pioneer them as story devices), but much
like I appreciated "Citizen Kane" for what it had been in its era, I
have to say that since this story was penned narrative has evolved, and having
two young people fall in love at first sight, or having the virgin-whore
complex on full display irks even my most forgiving mentality.
I do like a
lot of the visual metaphors, the first one I really took notice of is a scene
of Hugh Jackman, as a slave, being forced to retrieve a snapped flag mast which
has fallen to the ground. So you have a
slave carrying a heavy burden, attached to the French flag which is drenched in
muddy water; the symbol of the oppressive regime that rules France right now,
dirty and burdening a people unjustly oppressed maybe? That is smart and serves to elevate the
material.
There is
also the issue of most of the music being rather awful, and really jumbled too,
I have no idea what the lyrics were for many of the characters through the
group sing-alongs. This again underlines
the need to let them speak some of their lines, let the film be broken up for
the purposes of allowing the audience to digest and mull over the huge
sweeping, decades spanning narrative. As
is you the audience end up feeling really tired by the end.
And another
thing I dislike: Russell Crowe plays my favorite character, who has the best
outfits in the whole thing, and one of the more interesting perspectives on the
world. He doesn't go to heaven. I hate that.
And one
more thing: Anne Hathaway is in the movie for maybe 15 minutes (I literally
forgot she was in this movie at all till her ghost showed up in Heaven at the
end) and she is nominated for best actress; she's good, but she isn't a main
character, this sort of trophy dispensing bugs me.
5/10
The History is a Slow Build to a Big Finish: "Zero Dark Thirty" (Trailer)
Just
because it is modern history, doesn't it mean it didn't happen. There are moments in this movie in which I am
flabbergasted by the extreme stupid on display by the Central INTELLIGENCE
Agency but I take it as either the manufactured reason for a massive security
failure, or possibly that human beings are human and make stupid mistakes with
some frequency.
I like how
even handed it is with the portrayals of torture, surveillance, and ultimately the military op that killed Osama, I even like the acting by the guy
who does the deed, reacting like he can't quite believe it, and probably
lamenting that his name won't appear in history books until he is 80.
I suppose
it can be a little boring at times (nearly any scene in an office) and really
unpleasant other times (all the torture) but it does have a pay off at the end,
and I like the realism of it, when movies show a military operation in a
fictitious scenario it always goes off without a hitch, but showing people how
the experimental helicopters, compact explosives, and other complex equipment
can fail and teams have to roll with those punches is really interesting and
tense, and gives the viewing public a much needed perspective on how even the
most elite of teams still has to deal with complications.
It, like
all others on this list, probably won't get a re-watch from me.
7/10
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